Review of the Unthanks folk music album.
This article titled “The Unthanks: Last – review” was written by Robin Denselow, for The Guardian on Thursday 10th March 2011 23.07 UTC The Unthanks experiment continues, with an album of gentle melancholia that matches their most elaborate instrumental arrangements to date with a reworking of a startling variety of songs. As ever, their music centres around the delicate, haunting vocals of the Unthank sisters, Rachel and Becky, but Rachel’s husband Adrian McNally is playing an increasingly important role as producer, pianist, co-arranger and composer of the gently epic title track. Based around a sturdy, drifting piano theme, it’s a thoughtful, sad and lyrical meditation on “why the future doesn’t look so great”. Elsewhere, there’s more epic gloom with an unlikely revival of King Crimson’s Starless, now based around trumpet and strings, while other cover versions include a breathy treatment of Tom Waits’s No One Knows I’m Gone, and Jon Redfern’s slow, sad reflection on the Iraq war, Give Away Your Heart. The traditional songs do little to change the mood, but include some fine harmony singing and violin work on Canny Hobbie Elliot, a quietly eerie Gan to the Kye, and impressive piano work on The Galloway Lad. There’s not the emotional range of the last Unthanks album, Here’s the Tender Coming, but it’s a bold and highly original set.
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